Kitty Kelley, the investigative journalist, super-best seller, and unauthorized “poison pen” biographer, has written a biography of Oprah. ABC is boycotting her, and Kelley is being shunned by everyone from Larry King to Charlie Rose.
Why? “[T]hey didn’t want to offend Oprah“:
Kelley is generally thought of as an “Uh-oh” writer. That is, when she announces she is writing a book about X, the response is “Uh-oh,” usually on the part of the subject. For the rest of us, the “Uh-oh” signifies: “This is gonna be good. It may be down and dirty, but it will be true, and it will be good.” If there is hidden history to be gotten, Kelley will get it. Some people belittle her work as muckraking that is perhaps fanciful, if not far-fetched, but that is because they can’t believe that there are facts about a famous person which have heretofore not been known. Let’s put it this way: Frank Sinatra, when she was writing her book on him, was so, um … displeased that he threatened to have her killed. And she’s never been sued successfully. For her biography about Oprah, she did 850 interviews. Eight hundred and fifty! (In my news days if I contacted four people I thought I had really worked my tail off.) Her work is that of a hybrid researcher/historian, and whatever she writes you can take to the bank. She is in no way an academic, which is probably the reason her books sell in the millions.
The myth of the old boys network was that its obsession with privilege and prestige could be broken if its sexism and bias could be neutralized. So long as there is power to be had, there will always be an “old boys network” (even if it’s dead-set on protecting a girl).






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