Noah Millman’s review of Hamilton caught my attention, and I’m planning to see it when it debuts on Broadway in September. I hope the MSNBC feature with Chris Hayes the Hamilton’s creator plays above. If it doesn’t, there’s the link.
From Millman’s review:
Hamilton, the wildly unlikely new hip-hop musical about the “ten-dollar founding father without a father” based on the Ron Chernow biography, has been hyped so much I almost didn’t want to see it. But believe the hype: Lin-Manuel Miranda’s new musical is truly revolutionary – and also a deeply moving work of art, and a sincere love letter to a particular vision of America. …
… But this is a historical play, about a period far removed from our mores as well as our music. Or is it? The most unexpected achievement of Hamilton is that it genuinely bridges that huge gap in time. It doesn’t make us feel like we are in a period piece, nor does it engage in cutesy anachronism. Instead, it makes us feel like what happened then, with these people, could be happening right next door; that the founding fathers were our close cousins in spirit; that we would know each other if we met.