You cannot take a picture of a general “mother” or “child.” You cannot photograph the idea of “pregnancy,” “family,” or “abortion” — only this pregnancy, this family, and this abortion. A photograph of a child is always of a real, particular child, who stood at a particular place and a particular time and had his photo taken. Photography is always photography of the real.
The difficulty for the pro-life movement is that, as it works for the abolition of abortion, it uses pictures of children, not as pictures of this or that real, particular child, but as stand-ins for “the child in general.” When a stock-photo of Mitchell, a beautiful baby, forms the background of a sign that reads “Protect Life,” no one imagines it is demanding that we protect Mitchell’s life. Mitchell has since grown up into a pimply, 19-year old communist working at a 7-11. We do not see him in the image. We see the general idea of “the child.” He has become a symbol. The rhetorical success of the baby-sign depends on us seeing “through” Mitchell and towards the general idea of “baby,” “child,” “person.” The image presents the person anonymously — and anonymous images can inspire apathy in the gaze that sees them.
I think it’s time that pro-life marketers turn to featuring survivors of abortion, and testimonies of mothers and fathers who chose to bear their children—rather than essentially stock photos of cradled babies. We need to understand the human stories that led to, resulted in, and benefited from the choice for life.